By Alexis Rider, Journal of the History of Ideas Blog
In the basic conception of the Anthropocene, there are two actors: mankind and the environment. This sweeping and seemingly compelling divide at once highlights the separation of the two categories and collapses it: if humans are geologic force, we can no longer imagine ourselves outside of nature.
By Nafeez Ahmed, Insurge Intelligence
But the Anthropocene is about far more than just climate change. It is about an entire system of life, whose design is to maximise resource extraction at the expense of expendable ‘Others’. It is bound up, intimately, with a global system of racism emerging from the legacy of centuries of colonialism. And it is inseparable from the ceaseless sequence of industrial wars, culminating in today’s permanent state of the endless ‘war on terror’.
By Julia Adeney Thomas, Local Futures
The challenges of our altered, unpredictable Earth System cannot be met by technological tinkering within the very systems that pushed it over the edge in the first place. There’s nothing for it but to roll up our sleeves and begin the hard work of transforming our political and economic systems with the aims of decency and resilience.
By Andreas Weber, Patterns of Commoning
How, exactly, do the many, burgeoning posthumanist interpretations of our time fail to grasp the cosmos as a creative reality? Let us begin with the Anthropocene.
By Rob Hopkins, Rob Hopkins blog
These debates are precisely what makes the Anthropocene so valuable as an idea. It stops us short. It buttonholes us. It head-butts us. Then it asks us really, really hard questions while we’re reeling. I think that’s where its value lies.
By Erik Lindberg, Resilience.org
Film is of course the art form of Industrial Civilization and its mass culture, whether as a simple historical fact, a manifestation of technical possibility, or in the various ideologies it is adept at expressing. But it is also the art form of the Anthropocene. I am overstating the case somewhat, but not entirely, when I note that the prevailing message of film is the power of belief and trust.
By Laurie Laybourn-Langton, Open Democracy
This is about building, for the first time in history, a capacity for collective self-awareness, a sense of shared identity, and a political expression of our common will in pursuit of our common interest – not only as nations, tribes and social groups but as the species whose ancestors first ate of the fruit of the tree of knowledge.
By Jason W. Moore, Raj Patel, ROAR Magazine
Today’s human activity isn’t exterminating mammoths through centuries of overhunting. Some humans are currently killing everything, from megafauna to microbiota, at speeds one hundred times higher than the background rate. We argue that what changed is capitalism, that modern history has, since the 1400s, unfolded in what is better termed the Capitalocene.
By Langdon Winner, Langdon Winner blog
While there seem to be credible, even noble, reasons for adopting this designation, however, there is some cause for alarm, namely that the enthusiasm behind the campaign to adopt this marker smacks of an obvious, species-centric narcissism. Human beings naming a whole geological epoch for themselves? How marvelous! How fabulously egotistical! Indeed, how exquisitely Anthropocentric!
By Roger Boyd, Humanity's Test
The need for rapid changes in the way that we run our societies, and the acceptance that the old geographical and climatic certainties may rapidly change, is needed. The thought that we can simply geo-engineer our way out of trouble may be proven to be the naiveté of a still young civilization.