Insight and inspiration in turbulent times.
A new study published in the Nature Geosciences journal this week by largely UK-based climate scientists has led to claims in the media that climate models are “wrong” and have significantly overestimated the observed warming of the planet. Here Carbon Brief shows why such claims are a misrepresentation of the paper’s main results.
“I don’t create complicated fiber art. My pieces are simple, natural and classic. They’re wearable and not at all fussy. I want my customers to use and enjoy my clothing for a long time. For it to be part of their identity.” It’s slow fashion at its core.
Grasp the fact that our species is a temporary yet integral part of the whole system we call the biosphere of the Earth, and it becomes a good deal easier to see that we are part of a story that didn’t begin with us, won’t end with us, and doesn’t happen to assign us an overwhelmingly important role. There’s much to be gained by ditching the tantrums, coming to terms with our decidedly modest place in the cosmos, and coming to understand the story in which we play our small but significant part.
Post-purchase dissonance is an expression psychologists use to describe the disappointment we sometimes feel on realizing that our latest consumer purchase does not fulfil the promise we bought it on. At first sight it’s a curious anomaly. On deeper reflection, it turns out to be the structural basis for the entire edifice. The engine of consumer society is discontentment. This is more than a rhetorical claim.
It’s easy to get struck by existential dread when you’re reading about climate change. Personally I think there hasn’t been enough attention on the psychological effects of this. Although you can find a few fantastic articles on the subject – such as this one from Grist. My personal favourite antidote for climate fear is to throw yourself into pragmatic climate action.
Beautiful Trouble lays out the core tactics, principles and theoretical concepts that drive creative activism, providing analytical tools for changemakers to learn from their own successes and failures. In the modules that follow, we map the DNA of these hybrid art/action methods, tease out the design principles that make them tick and the theoretical concepts that inform them, and then show how all of these work together in a series of instructive case studies.
UBI is basically an idea that says everybody, simply by virtue of being alive, gets an income that gives them enough to survive, if not thrive, and that’s one of the debates. There are lots of different people talking about it right now from across the political spectrum. This is one of the things that makes it an interesting idea, or an idea that’s worth engaging with right now, because it’s an idea that’s emerging. It’s formulating, so it’s not settled.
In ideological terms, these developments eventually resulted in an impressive intellectual and political culture of the high middle ages involving notions of corporate identity and religious transcendence – one that was rigidly inegalitarian, albeit admitting to various critiques of the established hierarchy.
We should recognize our limits, too. Follow change, don’t try to stop it. Nature is changing all things we see and out of their substance it will make new things in order that the world will be ever new. This is the way Nature works.
Think of this as the new face of homeland security: containing the damage to America’s seacoasts, forests, and other vulnerable areas caused by extreme weather events made all the more frequent and destructive thanks to climate change. This is a “war” that won’t have a name — not yet, not in the Trump era, but it will be no less real for that.
I want to tell you what I know about shikataganai. I learned it in an empty prison, a long way from anywhere, and understood it as I sat in meditation in a garden in the middle of that prison. I offer it to you as a gift, as it was offered to me.
Writing recently in Medium, Salvatore Iaconesi — a designer, engineer and founder of Art is Open Source and Human Ecosystems — offers an extremely important critique of the blockchain and other data-driven network technologies. While recognizing that these systems have enormous potential for “radical innovation and transformation,” he astutely warns against their dangerous psychological and cultural effects.
