Escaping Modernism
Big History, however, seems to have chosen to reside in the ontological domain of modernism; as a result, it sees itself as detached from the very processes it purports to study.
Big History, however, seems to have chosen to reside in the ontological domain of modernism; as a result, it sees itself as detached from the very processes it purports to study.
Meet Guy McPherson, the extinction enthusiast who undermines legitimate climate concerns by predicting we’re all going to die yesterday. Please share this episode with your friends and start a conversation.
Clothing that is being made this way, specifically for you, by people that know and love you, from fibres that are to be found in your own landscape, is the way clothing has been made for most of our history.
Policymakers are pouring money into techno-fixes to solve the climate crisis, even though scientific studies indicate nature-based solutions are all-around more effective.
This is a story about food and powerdown. It could seem like a personal story except that it is not: it is a social story about how everything changes when you break the illusions your civilisation is wrapped in.
Meet Barrett Moore, the bunker-building bullshit artist who helps capitalists survive the apocalypse with beans, bullets, and bravado. Please share this episode with your friends and start a conversation.
Process-based restoration is about restoring functions, and its scope expands beyond the channel to include the floodplain and valley bottom — the whole riverscape.
Hospitality isn’t charity. It is belonging. Only those who belong with soil, people, animals, plants and fungi are ever truly at home.
The acceleration of climate change is in the news more and more.
On this episode, Daniel Schmachtenberger returns to discuss a surprisingly overlooked risk to our global systems and planetary stability: artificial intelligence.
Grief calls climate activists to embrace the most difficult challenge: to fight to save as much life as possible and—hopefully—to restore some of what’s gone.