Insight and inspiration in turbulent times.
I’m not looking for Trump’s jawboning to bring back the manufacturing jobs that were lost to outsourcing. I’m not looking for governments to bail us out at all. I’m looking at what we can do for ourselves, working together in values-aligned cooperative groups—the same kind of entities that impressed Margaret Mead so much for their potential to effect world change.
With the decision by the Trump administration to withdraw the US from the Paris Agreement on climate change and reverse many of the prior administration’s climate change policies, it seems that federal action on climate change will be unlikely in the next few years. However, the US system of government gives individual states broad powers to regulate CO2 emissions within their borders, with many states actively moving forward with their own mitigation strategies in absence of federal action.
Amid a natural gas boom, could U.S. activists ever dream of a national ban on fracking? If it seems impossible, they should look to the south for inspiration. On March 29, the small Central American nation of El Salvador passed a total ban on metal mining.
Walking advocates once focused primarily on physical health —spurred by mounting evidence that physical activity is key to preventing disease—but now are stepping up to promote social, economic and community health. Their ultimate goal is to transform towns and neighborhoods across America into better places for everyone to live.
The Ecosystem Restoration Camps allow us act together and let us learn to respect, collaborate and co-create the world we want. We need to work on this and we also need to play and to practice perhaps more than work on it … so that we can experiment and find the answers to many perplexing problems.
Aaron Mair’s story starts out all too familiar to people of color who have encountered any of the big green groups: He asked one for help dealing with an issue of critical importance to the health of his family and community — and was turned away.
A (social) permacultural view of the world begins with Zone 00 (the Self), ends with Zone 5 (the wild and natural world), and encompasses everything in between. What excites me most about this approach is that with incredibly simple tools it makes ideas accessible. Ideas which we can find difficult to grasp, in a society that teaches us to focus on individual ‘nodes’ (people, plants, animals, things), rather than the relationships between them.
“We do a good job telling people what the issues are, Martenson says, but knowing that things are wonky without anything to do about it, well that’s actually worse then useless.” Instead Chris and Adam connect the information that needs to change. Chris goes on to say, “Prosper is the solution space that begins to address the question, what can we do??”
I included neighbor-cultivating in the inaugural Ask Umbra civic action guide for a very simple reason: Experts told me that it’s impossible to improve your community without being a part of it. But reader disdain for the idea resurrected a haunting suspicion I first felt when reporting on the tiny, off-the-grid house obsession a few years ago: that the pursuit of a sustainable life has become an exercise in looking inward.
The word that was in my mind the most as I walked Venice’s narrow streets was ‘curiosity’. No conversation about imagination can happen without an exploration of curiosity, as it is the precursor to imagination. I had travelled to Venice reading Ian Leslie’s book ‘Curiosity: the desire to know and why your future depends on it’, and it turned out to be the perfect reading material, better than any Venice guidebook.
Persistent inequalities and decades of discrimination mean a code of ethics isn’t going to cut it. We need an actual politics of placemaking. Our naiveté borders on negligence if we don’t explicitly address how the very presence of certain bodies in public has been criminalized and the color of your skin can render you automatically “out of place.”
Ten years ago, Brian Eno suggested a word to convey the extreme creativity that groups, places or “scenes” can occasionally generate. The word he came up with is “scenius.” Scenius is like genius, only embedded in a scene rather than in genes.
