Can modernity last?
We will likely shed more than a few tears at modernity’s passing, and that’s understandable. But joy awaits as well.
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We will likely shed more than a few tears at modernity’s passing, and that’s understandable. But joy awaits as well.
We need something else that can speak to working-class people across race and region. The Democrats aren’t going to do it. We need to be out there trying to win people over, not to win the left over.
In the coming together of the multiple spokes of the wheel of Ladakhi culture, I found hope. Hope, seeing people still carrying remnants of a past they will not allow the death of.
A growing number of organizations around the U.S. and beyond are already reenvisioning growth and prosperity in ways that advance communal needs and planetary stewardship.
Recent developments in the study of human prehistory hold clues about our times, our world, and ourselves.
It’s time to take a more realistic approach to the fact that all of us lucky enough to live that long will become ever more dependent as we age. It’s time to face reality and place caring for one another at the heart of the human endeavor.
This volume contains seven stories of resistance, resilience and regeneration across the world that highlight how peoples proactive responses to the multiple crises the world faces—ecological, socio-cultural, political, economic, spiritual—are widespread and diverse.
Perhaps not surprisingly, I lean toward the conclusion that modernity was inevitable. My position is reasonably strengthened by the observation that we are, in fact, where we are.
Wildlife ecologist and communicator extraordinaire Rae Wynn-Grant visits Crazy Town to talk human-wildlife interactions, the social side of environmentalism, diversity and equity in the sciences, and ideas for young people (don’t worry if you’re older—the ideas apply to you, too).
So we need actual libraries, places where the books are stored, as much or more than we need third spaces and libraries of things.
In the dominant cultural imaginary of growth societies, this figure of the growth subject is powerfully gendered: it is coded as masculine.
To speak of the Will to Art is to interpret the world as having an underlying tendency toward artistic and aesthetic flourishing, even though the outcome of this evolutionary process, due to its indeterminate nature, is unknowable in advance.