Insight and inspiration in turbulent times.
If the previous chapter had been written as a novel, one wouldn’t have to read long before concluding that it is a story unlikely to end well. But it is not just a story, it is a description of the system in which our lives and the lives of everyone we care about are embedded. How economic events unfold from here on is a matter of more than idle curiosity or academic interest.
Kurt Cobb has just released a page-turner of a first novel titled Prelude, which uses a Grisham-esque tale of suspense and intrigue to educate the public about peak oil. Prelude’s main character is a young energy analyst who discovers a top-secret report shedding light on the true, precarious state of the world’s oil reserves….Allegorically named Cassie, she stands for all of the real-life Cassandras within the peak oil movement, who, like the Cassandra of Greek myth, are able to foresee disaster but so far seem cursed never to be believed.
GardenAfrica, a non-profit organization in southern Africa that helps families and communities establish organic gardens in small private plots, schools, hospitals and other public areas, prefers that its work be described as solidarity rather than charity. “Charity is all too often about externally imposed solutions, solidarity is a partnership of equals,” says its website.
Every alternative energy solution is manufactured with fossil fuels. Without fossil fuels there are no alternatives; renewable power is not renewable once fossil fuels are gone. Look at the alternatives as transitions back to what once worked.
A picture says a thousand words. In this post you will find only charts and graphs conveying important points from the world of energy 2010.
Economist Paul Krugman almost addressed the Limits to Growth in his recent article “The Finite World”, but pulled back before reaching the brink of suggesting there may be physical limits to economic growth. A Nobel Prize may await whomever finds a workable model to prosper human welfare under conditions of depleting resources. Will economists solve this problem, or ordinary people who are learning to live better in The Finite World?
Many of the implications of peak oil can be summed up in one simple if highly unwelcome way: most of us in the industrial world are going to be much poorer for the rest of our lives. That bleak prospect, however, opens up unexpected possibilities; poverty is a familiar condition, and ways to cope with it are within reach. The Archdruid sketches out one option.
A coal industry CEO told students at a small Quaker boarding high school to prepare for jobs in coal mines and power plants, rather than study philosophy or become community organizers….He preached high technology as the answer to humanity’s energy woes—technology created and owned by large multi-national corporations, which are designed to amass enormous monetary and physical wealth by exploiting natural resources and human labor.
Novels are good ways to impart information and put it into a social context. This one covers all the basics relating to our current predicament concerning peak oil without getting into an apocalyptic futuristic vision that has tempted so many writers.
The current American food system can be expected to unravel as the limits to growth begin closing in. Somewhere between the gourmet notions that dominate too much of today’s “slow food” and the mass-produced product that passes for fast food, a new incarnation of traditional working class cuisine is waiting to be born.
Fewer and fewer children get to explore the outdoor world and experience the thrill of watching birds or finding a turtle on the other side of a rotting log. Fewer children know about weeding a garden, let alone the special feeling of coming home a bit scratched up and sunburned after a long afternoon of exploring a local creek. Getting your feet wet and hands dirty is fun. There is something ineffably joyous about interacting with the natural world, but, more and more, that bliss is generationally bound, a gift today’s children won’t receive.
Post-Carbon and Heinberg are telling a critical story – but the actors they need to engage, all the hands they want on deck are not engaged, because they aren’t part of the tale. That needs to change.
