Insight and inspiration in turbulent times.
I tell this story now because one of the results of that experience, one of the things I have learned, is that it is time now for me to step back from my work with the Dark Mountain Project, which I helped to found. It’s time for me to come down off of this mountain and see what I can do with what I found up on the slopes. It’s been a long, strange journey.
Beautiful Trouble lays out the core tactics, principles and theoretical concepts that drive creative activism, providing analytical tools for changemakers to learn from their own successes and failures. In the modules that follow, we map the DNA of these hybrid art/action methods, tease out the design principles that make them tick and the theoretical concepts that inform them, and then show how all of these work together in a series of instructive case studies.
I regret the lazy oversimplifications of our time. As our world becomes ever fuller withaccessible information, ever more porous, ever more pressing with demands for our attention, so our subtler semiotic capacities appear to stall before the task. Our attempts at interpretation and meaning-making are overwhelmed: more information means less meaning.
Sol Collective brings both the artist and activist communities together to collaborate on ideas and projects. In the past year, the space has hosted a wide array of concerts, films, poetry readings, open mic events, activism classes, health workshops, art exhibitions, social fundraisers, religious and cultural ceremonies, music performances, showcases, and theater performances.
Our tenuous hold on life – framed, as it were, within our doctrine of ‘living in the moment’ – seems all the more fragile when one considers the sheer inability displayed by the human species to understand and act on the threats now posed to society. The damage wreaked on our environment by the emissions of toxic chemicals, habitat destruction and the paradigm of ‘growth whatever the cost’ continues, and yet for world governments it’s still business as usual.
What could you catalyse where you live that would act in the same way? How could your community, your place, tell a story about what the future could be, a story that burns in bright colours? Because goodness knows we need those.
Hilary Jennings of Transition Town Tooting and Transition Network recently saw Ella Hickson’s explosive play Oil and was fascinated by it. It follows the lives of one woman and her daughter in an epic, hurtling collision of empire, history and family, and drills deep into the world’s relationship with this finite resource.
The Dark Cellars are an expanding network of oppositional artists, graphic agitators, renegade marketers, and culture jammers more generally who are using art, design, and image to creatively subvert the structures of meaning which entrench consumer culture and carbon capitalism.
Into the Ruins is a rare breed of magazine. Unlike most other science fiction periodicals, its attitude toward the future charts a refreshing middle ground between mindless cheeriness and unremitting apocalypticism.
Novels, short stories, photos, art, music, and performance are just a few of the ways we are telling and intend to tell more of the stories of climate justice around the world. This last essay explores the power of another medium for telling stories, and presents some of the most compelling recent film and video work that tells us on some profound plane of existence what we must do about the huge problems we face.
One of the most powerful antidotes we have to despair – whether in the face of the climate catastrophe that looms menacingly on the horizon, or of the dawn of the Trump era in the United States – is our ability to resist and create, often simultaneously, through our cultural creation – our art, cultures, literature, movies, and music.
There’s something dishevelled and unsettling about poetry.
