Classic cinema and our future
Most people these days find the conventions of black-and-white movies as alien as Kabuki theatre, familiar only from decades of countercultural spoofing. Many times I have eagerly attended the rare revival, from “Dark Victory” as a teenager to “Metropolis” last year, only to cringe when the dramatic scenes reduced the audience to horse laughter. Young people might do well to explore old movies, though, for as we enter a time of austerity they might turn out more relevant and prophetic than anyone realises.


