Jason Kenney’s Government Denounces the Bigfoot Family

March 18, 2021

Jason Kenney’s spin shop the Canadian Energy Centre (otherwise known as the War Room) has stuck another foot in its oily mouth.

This time it is a really big foot.

The $30-million CEC, created to sell Canada as a supplier of choice “for responsibly produced energy,” is attacking a cartoon called Bigfoot Family.

To be clear, it’s not real. It’s a cartoon. Specifically, it’s a new and popular Netflix cartoon in which a family befriended by talking animals includes a Dad who just happens to be a Bigfoot and who goes to Alaska. Not a nature program. Not an investigative report. Not even one of those tracking-Sasquatch pseudo-documentaries. Just a cartoon. A cartoon not even about Canada.

In Alaska, Bigfoot encounters a company called Xtract, which falsely bills itself as a source of clean oil and wants to trash a wilderness area.

Well, in Calgary, that quickly rose to the top of the War Room’s priority list.

Kenney’s government, which tirelessly promotes fossil fuels as well as open-pit coal mining in the Canadian Rockies by foreign extractors, has accused the cartoon’s makers of “spreading misinformation about the oil and gas industry.”

Because the oilsands, as every Canadian knows, have never trashed anything.

Summoning every drop of its righteous vehemence, Kenney’s War Room wants TV viewers to sign a petition denouncing the evil children’s fare.

“Brainwashing our kids with anti-oil and gas propaganda is just wrong — and Netflix needs to know that!” thundered the Canadian Energy Centre. “Our children are the key to the future — but they can’t succeed if they’re filled with misinformation.”

Another day’s work for the team of Tom Olsen, the former UCP candidate now head of the War Room — who has noted that what exactly he does all day is not easily grasped. As he proclaimed in December, “There’s not a huge knowledge of what we do and how we do it and how we benefit the world.”

No there is not.

But Olsen explained it: “We are about disproving true facts.”

For the record, the Canadian Energy Centre, a reliable source of misinformation, has a long and consistent history of sticking feet of various sizes in its mouth.

It ripped off a logo from another company without their permission.

It took aim at the ramparts of power by attacking a Medicine Hat reporter for offering the opinion that the War Room was a propaganda factory in a democracy.

It aimed even a bit higher, chastising the New York Times as a “very dodgy” organization for reporting what CEC doesn’t: that international investment in the oilsands is drying up.

Its website offers a fairytale version of a petro state so gauzy and glowing it is worthy of Disney. The site claims, for example, that industry is pumping “hundreds of billions of dollars into Canadian coffers.”

But that’s not the real picture. Despite 47 per cent growth in Canada’s oil and gas production since 2000 — largely from the tarsands — royalty payments to government have declined 59 per cent, notes respected energy analyst David Hughes.

So, too, has the industry’s proportional contribution to GDP.

According to data from Natural Resources Canada, taxes paid by the oil and gas industry since 2006 have dropped from $12 billion to $6 billion.

In Alberta, oil and gas companies now owe rural municipalities more than $245 million in back taxes.

CEC portrays Alberta’s oil regulators as ethical heroes. Yet in 2019, three separate Alberta government investigations slammed the controversial Alberta Energy Regulator for mismanagement, the misuse of millions of public dollars and conflict of interest.

And not to draw any parallels with the themes of Bigfoot Family, but Alberta under Kenney seeks unfettered growth of a polluting oil and gas industry whose unfunded abandoned wells and clean up liabilities are by highly credible estimates $260 billion.

“True facts,” as Olsen might say. Though his War Room is AWOL when it comes to disproving them. (There was that one time the War Roomers did try to trash an expert’s facts. They had their asses handed back to them.)

By any measure, Kenney’s “War Room” is what the great writer Kurt Vonnegut would call a “granfalloon… a proud and meaningless collection of human beings.”

As Jason Kenney’s government now girds for its latest cartoonish war, the premier himself is increasingly embattled. In fact, his show is in danger of being cancelled.

Latest polls say that if an election were held today, Kenney’s United Conservative Party would be trounced by voters. The citizenry apparently is less interested in Bigfoot than an old-fashioned big boot.  [Tyee]


Teaser photo credit: By Alexander Migl – Own work, CC BY-SA 4.0,

Andrew Nikiforuk

Andrew Nikiforuk has been writing about the oil and gas industry for nearly 20 years and cares deeply about accuracy, government accountability, and cumulative impacts. He has won seven National Magazine Awards for his journalism since 1989 and top honours for investigative writing from the Association of Canadian Journalists.

Andrew has also published several books. The dramatic, Alberta-based Saboteurs: Wiebo Ludwig’s War Against Big Oil, won the Governor General's Award for Non-Fiction in 2002. Pandemonium, which examines the impact of global trade on disease exchanges, received widespread national acclaim. The Tar Sands: Dirty Oil and the Future of the Continent, which considers the world’s largest energy project, was a national bestseller and won the 2009 Rachel Carson Environment Book Award and was listed as a finalist for the Grantham Prize for Excellence In Reporting on the Environment. Andrew's latest book, Empire of the Beetle, a startling look at pine beetles and the world’s most powerful landscape changer, was nominated for the Governor General’s award for Non-Fiction in 2011.

Tags: Canadian energy policy, Canadian politics, facts, Media