Retrotopia: The Scent of Ink on Paper
Our narrator, roaming the streets of the capitol of the Lakeland Republic, visits a newsstand and a public library, and discovers that information and knowledge are two different things…
Our narrator, roaming the streets of the capitol of the Lakeland Republic, visits a newsstand and a public library, and discovers that information and knowledge are two different things…
The other thing that startled me as I wandered the streets was how little advertising there was.
Just past the trees, where I’d expected to see cabs waiting for passengers in a cloud of exhaust, horses stood placidly in front of brightly colored—buggies? Carriages?
This is the first of a series of posts using the tools of narrative fiction to explore an alternative shape for the future. A hint to readers who haven’t been with The Archdruid Report for long: don’t expect all your questions to be answered right away.
Forget ultimate truth; forget the consensus view of the future. In the end, it came down to which belief engendered energy, openness and possibility…
Our myths of progress are killing us. Where can we find a new set of stories to inspire the work of the future?
There are some stories that have weathered the ages. Weathered them, literally— from the mouth of an old man around a fire of peat, smoking until the story he is telling is black and tobacco-stained, to the girl who heard it and carried it with her out into the sheep fields, then into the city, working two jobs to feed her children, all the while touching on the strength of wild swans in her memory; from the ancient fire pit around which it was first told and shaped, maybe as far back as the making of bronze things, maybe just at the time the priests came and built churches, to the anthology of Irish Folktales in which some semblance of it was written down in the late 19th century, and the subsequent re-printings, slightly changed re-writings, the battered pages, the dunks in bathtubs, the days left out on the porch in the rain. We may call many myths fairytales, now, as if to diminish their seriousness; whatever we call them, they are old and powerful, when we peel them back. They are full of the magic of animals, land, and people.
I am in the woods outside Norwich on a January day with a gang of kids from Catton Grove, a huge primary school in a rough-and-tumble part of the city. I’m here as part of an arts and Transition teach-in, exploring peak oil and honey bees, reconnecting with nature and planting some of the apple varieties that used to grow in the Grove before it was tarmacked over.