Transition Dogville
In Lars von Trier’s 2003 film Dogville there is almost no set. Buildings in the town are represented by a series of white outlines on the floor. Dogville was a to-the-limit exercise in what von Trier calls “pure cinema” a commitment to use only real locations, and no special effects or background music, when making a film. I was reminded of Dogville during a this year’s Transition Conference in London. There were talks and workshops, of course, but our main task was to create the working physical model of a town centre, a few years ahead, in which the services needed for a resilient community would be in place — and open for business. We had four hours to do it.


