This post was inspired by a meeting held last week in Florence on the subject of the Pope’s climate encyclical, and, in particular, by the presentation given there by Father Bernardo. prior of the San Miniato church. I had been thinking about the relation of religion and the environment for some time and, as a comment, I reproduce below a text that I wrote on the interpretation of an ancient Sumerian myth that, in my opinion, describes an ancient ecological catastrophe, not unlike the one we are facing nowadays. Many elements of the ancient Sumerian religion have survived through the millennia and are still with us; in particular the concept that humans have both power and responsibility: they are there to serve the creation, not to use it for their purposes. (h/t Antonella Giachetti)
When I started my career in scientific research, I could hardly have imagined that the Catholic Pope would, one day, teach to scientists (and not just to them) how to do their job. And yet, it seems that we have arrived exactly to this point.
The attempts performed so far to settle the debate on the various disasters befalling on us (and that we ourselves created) have led to nothing. For how many decades have we been trying to get an agreement to avoid the climate change disaster? Now we are putting our residual hopes on the Paris conference of this year, but do you really think that a group of politicians and bureaucrats dressed in dark suits will be able to save the planet?
What we are seeing, instead, is the utter failure of a way of thinking that we call sometimes "positivism" that has its origins in the 19th century with thinkers such as Condorcet, Saint Simon, Comte, and others. At that time, it seemed to be a good idea to use the reason and science to settle all questions. Maybe a good idea, but, in practice, it doesn’t work. We know everything about what’s happening and why. It is all scientific method and logic. And, yet, the message doesn’t pass; we keep destroying everything, including ourselves.
Pure reason doesn’t tell us that we should do something to keep alive the other species sharing the earth with us. Pure reason has led us to such absurdity as believing that individual egoism is the best way to manage the earth’s commons (this idea is a kind of religion, but an evil one). Pure reason turns the ecosystem into a giant supermarket where you don’t even have to pay for what you get (as long as there remains something to get).
We need to take a different view. A view that doesn’t see humans as the owners (or perhaps parasites) of the planet, but as stewards of the earth. A view that tells us that humans have a responsibility toward the planet. Without such a view, we’ll keep behaving like bacteria in a Petri dish; unworthy of creatures said to have been created "in the image and the likeness of God". I think you don’t have to be Christian to take this attitude, and, likely, not even religious or a believer in a transcendent God. But I think you have to have at least a feeling that there exists something, out there, that goes beyond the mere satisfaction of personal desires. It is not even a question of survival, more a question of dignity for humankind.
This is an old idea, the idea that humans are not here to be the masters, but as stewards of the planet on which they live. It goes back to the ancient Sumerians, and, below, I report a paper that I wrote about an ancient Sumerian myth that may describe a plight similar to the one we are facing now.
Inanna and Ebih: a report of an ancient ecological catastrophe?
Dipartimento di Scienze della Terra – Università di Firenze
Polo Scientifico di Sesto Fiorentino,
Sesto Fiorentino (Fi) via della Lastruccia 3, 50019, Italy
“Inanna and Ebih” is the modern title of a text written by the Sumerian poet Enheduanna around the second half of the third millennium BCE. It describes the conflict between the Goddess Inanna and the mountain called Ebih, which ends with the destruction of the latter. I suggest that the poem may be interpreted as the result of the way the ancient perceived what we call today an “ecological catastrophe,” that is the result of overgrazing and deforestation of a fragile mountain environment.
The “Inanna and Ebih” poem was composed around 2300 BCE by the Sumerian poetess Enheduanna and it was rediscovered in the 20th Century (1). The story told in the poem can be summarized in a few lines. We read first that the Goddess Inanna is preparing to do battle against the mountain "Ebih," because the mountain “showed her no respect”. Before attacking, Inanna goes to see the God An, whom she calls “father,” apparently to ask for his help. An, however, is perplexed and Inanna decides to fight alone; eventually managing to triumph over the mountain. This story must have been well known in Sumerian times; so much that several copies of it have arrived to us, written in cuneiform on clay tablets. So, its meaning must have been clear enough for the people of ancient times and they must have found the story interesting enough that they kept copying it many times, apparently also as a standard exercise for young scribes (2).
However, for us, "Inanna and Ebih" is hard to classify as a poem, even baffling. The characters, their conflict, and the very fact of a God battling a mountain appear totally alien to our modern feelings. As a story, it is far away from all the modern canons of what we define as “literature” or “poetry.”
The present paper adds some considerations to the understanding of the story of Inanna and Ebih. It is based on the concept that the ancient faced the same physical problems as we do, for instance soil erosion, deforestation, and the like. However, their way to see and describe these problems was much different. So, it may be that the story we are considering describes an ancient ecological catastrophe, the destruction of a forest ecosystem, told in a form that is not easy for us to recognize but that appears clear, once understood. The story also may be an echo of a conflict still existing in modern times: the need to preserve natural environments against the attempt of overexploiting them.
The author does not claim to be able to read Sumerian and the present discussion is based on the versions of the story available in modern languages; that is on the one by Betty De Shong Meador (3), the one available in the electronic corpus of Sumerian Literature (4), the version in French by Attinger (5), and the Italian one by Pettinato (6). These translations were found to differ in some details, but the overall content was the same.
2. Inanna and Ebih: interpreting the myth
There are several ways to interpret ancient myths. Perhaps the best known one is the “comparative” method, pioneered, among others, by Claude Levi-Strauss (7). It consists in finding common elements among different myths; as they can be found in different cultures and different ages. These common elements evidence the basic structure of the myth and help understand its general meaning, framing it in its specific context.
In the case of "Inanna and Ebih", we could first look for stories involving Gods engaged in fighting mountains, but such a plot appears to be very rare. A similar plot is the Sumerian text referred to as “Lugal-e,” from the first term it begins with (8). It goes back to times close to those of Enheduanna, but it is probably later. In Lugal-e, we are told of the divine hero, Ninurta, fighting a demon called “Asag” that turns out to be a “pile of stones”, perhaps to be identified as a mountain with that name. Karahashi has discussed this myth explicitly in comparison with that of Inanna and Ebih, finding several points in common, especially in the terminology used. (8)
Another myth showing some structural similarities is the Greek myth of the Chimera. In this case, the hero is Bellerophon, semi-divine as the son of the God Poseidon and, as a monster, the Chimera has some Chthonic elements, especially in its fiery breath that may lead to identify it with a mountain. Both Pliny the Elder in his “Natural History” and Maurus Servius Honoratus in his commentary to Virgil’s Aeneid state that the Chimera has to be intended as a representation of a volcano. We also find a similar interpretation in Plutarch’s “Moralia” (3.16.9) where we are told of how Bellerophon cut away a section of a mountain called “Chimera” which was producing a nasty reflection on the plain; which, in turn, dried up the crops. In an earlier work (9), the author of the present paper proposed that the source of the myth of the Chimera is to be found in ancient East Asian mythology. It is not impossible that one source could be the story of Inanna and Ebih.
Apart from these stories, mountainous monsters are rare in the world’s lore. Some mountains were certainly important in religious terms, such as Mount Olympus for the ancient Greek and Mount Fuji in Japan, up to relatively recent times. Neither, however, were deified in the role given to Ebih in the story we are discussing here. We can find occasional stone monsters in modern fiction; for instance in The Hobbit, by J.R.R. Tolkien (1937), we can read the description of stone monsters hurling gigantic boulders against each other. Other fantasy chthonic monsters appear in environments such as role playing games. On the whole, however, we can say that a plot describable as “God fights mountain” is very rare both in ancient and in modern lore. Hence, it is nearly impossible to use it as a basis for the comparative method of interpretation of the myth of Inanna and Ebih.
At this point, we could attempt to classify the myth of Inanna and Ebih as an example of the generic theme of a shining hero fighting an ugly monster. There are plenty of ancient and modern myths based on this idea; however, such an interpretation misses some of the elements that make the slaying of Ebih so puzzling. Why is the monster a mountain? Why does it enrage Inanna so much? What are the reasons of Inanna’s quarrel with the other Gods? Clearly, there is something more in this story that makes it unlike the traditional hero/monster conflict.
A different line of interpretations of the myth is reported by Delnero (2). It is based on the idea that the story is, actually, a representation of the conflict existing at the time of the author, Enheduanna, between the Akkadic and the Sumerian elements of the Mesopotamian civilization. It is known that such a conflict existed and other poems by Enheduanna may refer to it. For instance, in “nin-me-sarra” (Lady of bright virtues) Enheduanna appears to describe an insurrection that leads to her being chased away from her temple. The interpretation reported by Meador (p. 181) is that the insurgents were led by a man named Lugalanne, or Lugalanna, possibly of Sumerian ethnical origin, against the Akkadian ruler of the time, Naram-Sin, Enheduanna’s nephew (3).
There is clearly something in these interpretations and the violence that pervades Enheduanna’s texts may well be a reflection of the violence that characterized her times. However, there remains the problem that “Inanna and Ebih” is so abstract in the characterization of its protagonists that, if it really describes a local conflict of Enheduanna’s times, it is not clear which side should be identified with which element of the myth. Maybe this interpretation was clear to the ancient Sumerians, but that may be reasonably doubted.
Meador (3) provides a deeper interpretation of the story, seeing the poem as an early version of the Biblical myth of the Garden of Eden; with Inanna as the Sumerian equivalent of Eve/Lilith. Whereas, in the Bible, Eve is punished for her action, in the Sumerian myth Inanna takes the initiative and refuses to submit to the father-God; destroying Eden in the process. Meador also sees the story as a reflection of an ancient conflict between a female dominated pantheon, with Inanna in the role of the Mother Goddess, and an emerging male dominated pantheon, with An as a fatherly figure, ruling the other gods. This conflict is evident in several other Sumerian and Akkadian mythological stories where, for instance, Inanna is pitted against her brother Gilgamesh. This is a very interesting interpretation as it implies that “Inanna and Ebih” is related to even more ancient myths, perhaps going back to pre-literate times. This seems to be hinted in the text, when Inanna is said (in Meador’s translation) to “wear the robes of the old, old Gods” (3). Attinger (5) and Pettinato (6) explicitly name these "old Gods" as “Enul and Enŝar” who may be, indeed, Gods of a more ancient age (10) (p. 53).
However, even this way of seeing the myth does not explain the meaning of some elements; for instance, if this is the story of a conflict between a mother Goddess and a father God, what is exactly the role of the mountain Ebih?
A different way to look at this myth is the “Euhemeristic” or “rationalistic” way, consisting in explaining the myth in terms of natural phenomena. This way of interpreting ancient myths was more popular in the past than it is today, but it never went out of fashion. However, modern scholars tend to be much more cautious in explaining (some could say, “explaining away”) the elements of complex stories into banal physical phenomena. When Servius said that the Chimera was a volcano, he may have meant that the ancient were so naïve to mistake a volcano for a lion, but that, of course, is unlikely, to say the least. Rather, the ancient were facing the same physical phenomena as we do and, for them, describing a thunderstorm in terms of actions performed by a God named Zeus was a way to make it consistent with their cultural and mental tools. We do the same in modern times when we ascribe certain events to abstract and perhaps supernatural entities whose existence can be reasonably doubted (e.g. “the free market”).
Regarding Sumerian/Akkadian myths, naturalistic explanations have been proposed by Jacobsen (11), but not specifically for the story of Inanna and Ebih. However, if we examine the story in light of a possible rationalistic interpretation, we immediately see how the destruction of the mountain hints to an ecological catastrophe caused by deforestation and overgrazing.
In the myth, the Ebih mountain is described as a luxuriant place: fruits hang in its flourishing gardens. It has magnificent trees, lions, wild bulls and deer are abundant, just as wild bulls and grass. Then, we see Inanna attacking the mountain with fire and with a rain of rocks. In another of Enheduanna’s poems, translated by Meador as “Lady of Largest Heart” (3) we read some lines that may refer to Inanna’s fight against Ebih:
She crushes the mountain to garbage,
scattering the trash from dawn to dark,
with mighty stones she pelts,
and the mountain,
like a clay pot
with her might
she melts the mountain
into a vat of sheepfat.
It takes little imagination to see that the poem could well be referring here to the degradation of the soil on the slopes of a mountain, turned into mud slipping downhill. Mountain terrains are especially sensitive to soil erosion and the problem is especially severe in hot climates subjected to episodes of heavy rain interspersed with dry period, as it is the case of the Mediterranean and Middle Eastern climate.
Mesopotamia is a flat land, but its inhabitants briskly traded wood and other forest commodities. Today, most of the mountain ranges of Northern Africa and Middle East are degraded and eroded in various degrees. But that was not the case in ancient times and it will suffice to note how the mountains of Lebanon were a source of timber for ancient Sumerians (as recorded in the myth of Gilgamesh and Enkidu), whereas in modern times these regions are nearly completely deforested and eroded (12). From the available data (13), it appears clear that the mountains of the Zagros region, which are probably where the “Inanna and Ebih” refers to, were still largely forested in Sumerian times, but it is also clear that they were already being deforested; a slow process that has led to the present condition of serious environmental degradation (14).
The ancient knew about the problem of soil degradation. McNeill and Viniwarter (15) summarized several elements of the question, reporting that already in 2000 BCE, that is at a time not far from that of Enheduanna, farmers in the Middle East had already developed ways to fight soil erosion. They also report how Roman writers, such as Varro, had a keen interest in soil quality and on the need of avoiding erosion. It is also well known how Plato, in his "Critias" (4th century BCE) describes the erosion and the degradation of the mountains of Greece. An interesting pre-industrial document on this issue was written by Matteo Biffi Tolomei around the end of the 18th Century (16). It tells of the attempt to maintain the forest cover of the Appennini mountains in Tuscany, Italy, and of how the attempt failed after much debate among those who defined themselves the “modern” party (favoring the cutting of the trees) and the “old” party (favoring, instead, to keep the forest cover). This conflict of a few centuries ago is not framed in religious terms, but, in it, we may perhaps see a reflection of the much older conflict of Sumerian time that may be reflected in the story of Inanna and Ebih.
3. Conclusion: religion as a way to interpret the world
Religion in Sumerian times was certainly something very different than the way we intend it nowadays. However, certain elements of the concept of religion are common to all its forms (see e.g. Thorkild Jacobsen (11) for an exhaustive account of the characteristics and of the historical development of the Sumerian religious view of the world).
A religious view of the world may see beyond the simple, short term advantage of an action (cutting trees), to note the long terms disadvantages (soil erosion). Today, we may see this kind of approach in the recent papal encyclical on climate change (17 and the Islamic declaration on global climate change (18. That may have been the point also of the history of Inanna “punishing” the mountain named Ebih, something that may be interpreted as destroyingthe humans who weren’t beingcareful enough to maintain and sustain its ecosystem.
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Earth hands image via shutterstock. Reproduced at Resilience.org with permission.