Two outstanding deindustrial fiction books from yesteryear
By Frank Kaminski, Mud City Press
If you're in the mood for some good deindustrial fiction, I recommend checking out these books by Ann M. Pino.
Review: The Sun by J. Courtney White
By Frank Kaminski, Mud City Press
J. Courtney White's The Sun is at once an entertaining murder mystery and an earnest look at the many crises confronting the American West.
Review: Hubbert’s Peak by Kenneth Deffeyes
By Frank Kaminski, Mud City Press
The goal of these books is to provide readers a rudimentary understanding of oil, where it came from and what’s involved in finding and producing it, in order to raise awareness about the peril we face as oil depletes.
Review: Oil, Power, and War by Matthieu Auzanneau
By Frank Kaminski, Mud City Press
In Oil, Power, and War, French journalist Matthieu Auzanneau presents a comprehensive, provocative history of humankind's relationship with oil.
Review: Fair-Weather Brother by Pogoat
By Frank Kaminski, Mud City Press
Fair-Weather Brother is a portrait of the many environmental, economic and social challenges plaguing India today. The novella’s author, who goes by the pseudonym Pogoat, lives in India and thus knows of these issues firsthand.
Blind Spot and Fuel: a Review of Two Peak Oil Documentaries from 2008
By Frank Kaminski, Mud City Press
These two documentaries on the world oil crisis came out in 2008, a time of growing concern over humankind’s energy future. In the decade since then, public interest in the issue has waned, but the relevance of these films hasn’t...
Empty by Suzanne Weyn (a Peak Oil Novel for Young Readers)
By Frank Kaminski, Mud City Press
Aimed at readers aged 12 to 14, this novel successfully blends high school drama and adventure with an important message about the world oil crisis.
Review: Lifeline by Catherine McGuire
By Frank Kaminski, Mud City Press
McGuire’s book is an adventure that scores on every front, from its tense action scenes, to its finely realized characters and emotionally involving drama, to its richly rendered settings, to the intriguing irony of its double-entendre title.