Brian Lloyd graduated from West Virginia University in 1976 with a B.A. in Sociology/Anthropology. He returned to his home town in eastern West Virginia and played in rock and roll bands for seven years, then headed out to Ann Arbor for graduate studies at the University of Michigan. He earned his Ph.D. in American Culture in 1991. He is the author of Left Out: Pragmatism, Exceptionalism, and the Poverty of American Marxism, 1900-1922 (Johns Hopkins, 1997), assorted articles on philosophy and the American left, and, most recently, “The Form is the Message: Bob Dylan and the 1960s” (Rock Music Studies 1:1, 2014). He is now engaged in a study of the interplay between political aspirations and formal innovations in 1960s rock and roll.
If the grounded sense of beauty Momaday derived from Kiowa cultural expressions is to play a role in shaping our response to social and ecological collapse, it will need a territory that can sustain it.
February 12, 2024
A new mass constituency for fundamental change – the new way of reasoning made flesh – is visible amidst the blight and the rot. No member of this constituency would find it reasonable to trade clean air for cheap household items, health and justice for toys and gadgets.
October 2, 2023
Now that we have glimpsed for the first time a planet-wide threat to all that lives and breathes, we might acknowledge at long last that we have been poorly served by a mode of understanding that must turn everything into the same kind of lock – the same mechanism – before it can proceed.
September 22, 2021