North American cicada nymphs live underground for 17 years before they emerge as adults. Many seeds stay dormant far longer than that before some disturbance makes them germinate. Some trees bear fruit long after the people who have planted them have died, and one Massachusetts pear tree, planted by a Puritan in 1630, is still bearing fruit far sweeter than most of what those fundamentalists brought to this continent. Sometimes cause and effect are centuries apart; sometimes Martin Luther King’s arc of the moral universe that bends toward justice is so long few see its curve; sometimes hope lies not in looking forward but backward to study the line of that arc.
“But those groups remembered their cultural heritage and practiced it there, that memory, they had this overarching memory of their pasts. And when they were there, they were free. And their spirits soared to the high heavens. They were themselves. In spite of limitations in every aspect of their lives. Where they should have felt like, ‘we are nothing,’ because you get brainwashed constantly about the fact that you’re a nobody… but they didn’t, they brought back. And now it’s part of the world, that music.”
“One other very important thing that Congo Square represented in the culture was that no matter what’s going on in life you transcend the culture and Congo Square helps you. It transcends and puts you into a transcendental state so that you are free at that moment. Even today, that’s the power of the music and that’s why it brings us together. You have a moment of freedom where you transcend everything that’s going on around you. Berthold Auerbach said it so eloquently: ‘Music washes away from the soul the dust of everyday life.’ At that moment you become free, which is why the music is part of the world now. Everybody wants a moment to transcend. It goes inside of you and you know where you can go to be free. No matter if you’re in Norway, South American, or Beijing, you know, ‘this music sets me free.’ So Congo Square set the world free, basically. It gives freedom to everyone around it.”
Repercussions: Rhythm and Resistance Across the Atlantic. Map concept and research: Rebecca Solnit. Cartography: Shizue Seigel. Design: Lia Tjandra. c Univ. of CA Press, 2013.
“The reason our tragedy led to an opening between the United States and Iran was that many people were actively working to end our suffering. To do so, our friends and families had to strive to build a bridge between the U.S. and Iran when the two governments were refusing to do it themselves. Sarah [Shourd, the third prisoner] is not a politician and she has no desire to be, but when she was released a year before Josh and me, she made herself into a skilled and unrelenting diplomat, strengthening connections between Oman and the U.S. that ultimately led to these talks.”